Lola de la Mata’s practice evolved out of weaving, printmaking and Labanotation and crosses over performance art, installation and sculpture. In this interview, Lola talks about her upcoming album 'Oceans on Azimuth', which reflects on her experiences of tinnitus. Her new compositions feature sonic landscapes crafted from throbbing heartbeats and otoacoustic emissions reimagined through musical instruments made from metal, glass, ceramics and ice. Photo: Rosie Terry Toogood